ROBERTA LAIDMAN: Dog wearing Red purchases bandana sculpture - Heavy item 8lbs.
ROBERTA LAIDMAN: Dog wearing Red purchases bandana sculpture - Heavy item 8lbs., Dimensions-: in picturesvery heavy: about 20 lbsCondition: good scratches visible provenance: POSSIBLY A ROBERTA LAIDMAN SCULPTURE SEE PICTURES**This Piece.
Product code: ROBERTA LAIDMAN: Dog wearing Red purchases bandana sculpture - Heavy item 8lbs.
Dimensions-: in pictures purchases very heavy: about 20 lbs Condition: good, scratches visible provenance: POSSIBLY A ROBERTA LAIDMAN SCULPTURE SEE PICTURES! **This Piece was bought at an Estate Sale and it has no papers with it but from what I can gather it was copy righted by Roberta Laidman and Produced in circa 1999. **Artist's Statement "My primary metaphor is dogs. I relate to them on an intuitive level and admire them for their integrity. Unique ceramic sculptures and models for bronze castings are initially created in clay. I use a slab technique, exclusive of internal armatures. This allows me to push at the clay from the inside and create an exterior surface tension which suggests flesh and bone beneath. My work is influenced primarily by Dutch and Belgian figurative ceramic sculpture. My first exposure to clay sculpture was through the Dutch artist Marijke van Vlaardingen with whom I first worked in West Africa in 1979 and later in the South of France.
Dimensions-: in pictures purchases very heavy: about 20 lbs Condition: good, scratches visible provenance: POSSIBLY A ROBERTA LAIDMAN SCULPTURE SEE PICTURES! **This Piece was bought at an Estate Sale and it has no papers with it but from what I can gather it was copy righted by Roberta Laidman and Produced in circa 1999. **Artist's Statement "My primary metaphor is dogs. I relate to them on an intuitive level and admire them for their integrity. Unique ceramic sculptures and models for bronze castings are initially created in clay. I use a slab technique, exclusive of internal armatures. This allows me to push at the clay from the inside and create an exterior surface tension which suggests flesh and bone beneath. My work is influenced primarily by Dutch and Belgian figurative ceramic sculpture. My first exposure to clay sculpture was through the Dutch artist Marijke van Vlaardingen with whom I first worked in West Africa in 1979 and later in the South of France.